Uncropped video is versatile for social ; Super-effective image stabilization for handheld work ; Phase detection AF completes the video package

Slow-motion, wide-angle 4K video hampered by 1.5x crop ; No tally light ; AF subject detection simpler than rivals

It’s hard to pick a fault with the Panasonic Lumix S5 II. It feels solid in the hand, and is a reliable workhorse in use, with intuitive controls and offering plenty of oomph. There’s sharp 6K video, 24MP full-frame stills, incredible image...

Best-in-class stabilisation ; Unlimited video recording up to 6K/30p ; Consistently quick and accurate AF

Flip out screen blocked by cables ; Sony competition is strong ; No Tally Lights

Panasonic has consistently delivered great cameras that produce beautifully natural tones, top-tier dynamic range, and class-leading image stabilisation. But despite the quality of its full-frame S-series bodies and L-Mount optics, the lack of...

Excellent 24MP photos ; Records up to 6K30 video with 10-bit color ; 5-axis sensor stabilization ; Magnesium chassis with dust and splash protection ; Robust, customizable controls ; Active cooling for long-form recording

Struggles with continuous autofocus ; Underwhelming battery life

The Panasonic Lumix DC-S5 II is one of the most feature-rich full-frame video cameras you can buy, but its unreliable continuous autofocus system limits its appeal for stills.

Impressive phase hybrid autofocus system ; Excellent image stabilisation ; Improved EVF ; 6K video capture ; 30 fps bursts with 200 frame buffer

No high frame-rate video in 4K ; A bit pricier than its predecessor

We haven't spent long enough with the S5II to deliver a full verdict, but first impressions are very positive. If the camera holds up to more rigorous testing, it might just be Panasonic's best camera so far.

Stellar in-body stabilisation ; Excellent all-round image quality ; Big AF improvements ; Good value

No tally lamps ; Cables block view of screen

A superb all-rounder available at an excellent price